Feel the music from every angle
Live photography, concert films and drone coverage from one creative team
We are the team artists, promoters and venues bring in to shoot the whole show. Concerts, gigs, tours and festivals. Stills, film, aerial
and same-day social by an accredited crew that has worked the pit for over a decade. Published nationally. Syndicated globally.
Planning something loud? Talk to us today. M: 07871 364041
Harsh 'n Tasty
Hip-Hop / Urban
Photography
Propper banginG
Heavy metaL
Photography
Classic UK
BritPop
Photography
Feel the beat
Electro & Dance
Photography
We remember
1980's
Photography
Harsh 'n Tasty
Hip-Hop / Urban
Photography
Propper banginG
Heavy metaL
Photography
Classic UK
BritPop
Photography
Feel the beat
Electro & Dance
Photography
We remember
1980's
Photography
One Brief. One Crew. Consistency across media.
We are a professional team that promoters, venues and artists bring in to shoot the whole show. We shoot concerts, gigs, tours and festivals. Stills, film, aerial and same-day social, by an accredited crew that has worked the pit for over a decade.
Published nationally. Syndicated globally. Our Norwich Music Photography base is just that. A base. We travel.. Our Norfolk Concert Photography team are on the road, shooting everything from concerts in intimate venues, to full blown stadiums and and the biggest music festivals of every description. Chat with us today on M: 07871 364041 or email: studio@blanc-creative.com
Promoters and artists hire us to run the cameras, so they can run the show
Pre-Show
Most shows end up juggling separate suppliers for photos, film and drone, then chasing everyone for the edit. We run the lot, so your content is consistent, on brand and on time.
Lead Up
We build the brief and shot list with you, sort accreditation, map the schedule, and lock the headline and sponsor priorities that matter most.
Post-Show
You get the full edited gallery, the aftermovie, vertical masters for every platform, and a stills and b-roll archive that fuels your marketing right up to the next show.
Looking for a sound? We shoot it all!
Browse our work by genre. Many acts sit in more than one, so you’ll find those BIG names where you’d expect them.
The power of
Rock
Photography
Pop-Tastic
Chart Toppers
Photography
earworm worthy
Indie-Rock
Photography
Funky Fresh
DJ's & Producers
Photography
The power of
Rock
Photography
Pop-Tastic
Chart Toppers
Photography
earworm worthy
Indie-Rock
Photography
Funky Fresh
DJ's & Producers
Photography
Clear Music Photography Packages.
BUILT FOR SHOWS OF ANY SIZE.
1-Hour
Photography-
1 hour photography
-
Editing & grading
-
300dpi high res delivery
2-Hours
Photography-
2 hours photography
-
Editing & grading
-
300 dpi high res delivery
4-Hours
Photography-
4 hours photography
-
Editing & grading
-
300 dpi high res delivery
Full-Day
Photography-
Full day photography
-
Editing & grading
-
300 dpi high res delivery
Great Norwich Music Photography starts with a conversation. Reach out today!
You can contact us directly:
Top Tips on how to become a Music Photographer
A working photographer’s honest guide to getting into the pit, and getting paid for it.
Becoming a concert photographer is one of the best jobs going, and one of the hardest to make a living from.
I have shot everything from a band playing to seventy people in a back room to headliners in front of a festival field, and the gap between wanting to do this and actually getting paid for it comes down to a handful of things nobody tells you at the start.
Oasis Live 25. How the biggest reunion in British music kept the photographers it didn't need
Why Oasis restricted concert photographers on the Oasis Live 25 tour, what the one-year rights clause meant, and how it played out in 2026.
At the reunion opener in Cardiff on 4 July 2025, Oasis’s management imposed photography restrictions that went well beyond the usual etiquette, in what has become a growing trend with the power to hit photographers’ rights and their income at the same time.
The honest, lived-in account of a professional concert photographer and what it's really like
Picture it. You are stood feet from your musical idols, surrounded by thousands of fans, as one of the biggest bands in the world walks on stage. You are a professional concert photographer, and the job is to capture all of it.
Why wouldn’t you want to be there? The buzz of shooting live music never dies.
It is a seriously cool job, and music photography has been a real part of my life for years. But behind the lens, behind the kudos and the anecdotes, there is a world of hard work that few people see.
Who owns your concert photos ? A plain-English guide to the law.
You stood in the pit, read the light, timed the shot and nailed it. So you own that photo, right?
Usually, yes. Sometimes, no. And the difference often comes down to a contract you signed without reading, handed to you minutes before doors.
This is the guide I wish someone had given me when I started shooting concerts, written for photographers who want to keep their work, and for the artists, promoters and venues who hire them and want to do it fairly… Read More
Music photographer earnings in 2026
he biggest myth about music photographer earnings is that there is a fortune in it.
People see a shot of their favourite band splashed across a paper and assume the photographer banked hundreds, maybe thousands, for that single frame.
The reality is so far from that it is almost funny, and after a so many years of doing this job, I think it is worth being honest about how little you get and why we shoot music.
This isn’t a moan. It is a straight look at the numbers, because the gap between what people imagine and what actually lands in a photographer’s account tells you everything about the state of the industry in 2026.
Working for Exposure : Why It Doesn't Pay the Rent
Every working photographer knows the offer.
“There is no budget, but it will be great exposure. It will look brilliant in your portfolio. The access is the payment”
It sounds almost reasonable, right up until you try to pay the rent with exposure.
The single biggest barrier to becoming a photographer is money. Working for exposure does nothing to help that.
